Month: October 2020

While the current health crisis still prevents us from traveling, we want to bring you on a virtual escape to Paris with this selection of books dedicated to France and French culture! 

If you are buying a book, please do not forget to support your local book shops.

PARIS CHIC by Alexandra Senes & Oliver Pilcher

Assouline, 2020

Author Alexandra Senes and photographer Oliver Pilcher invite us to discover some of the most sophisticated homes and private hotels in Paris, chic bars and restaurants and Parisian monuments. We immerse ourselves in the daily life of Parisians, and witness intimate portraits of various families through Oliver Pilcher’s lens.

DRINKING FRENCH: THE ICONIC COCKTAILS, APERITIFS, AND CAFE TRADITIONS OF FRANCE, WITH 160 RECIPES by David Lebovitz

Potter/Ten Speed/Harmony/Rodale, 2020

Following these mouth-watering French recipes is the perfect way to bring France to your living room! The renowned David Lebovitz delves into the drinking culture of the French in this book. Each recipe is illustrated with beautiful images to help you create the most creative infusions, regional apéritifs, cocktails and savory French snacks. Alongside these recipes, David Lebovitz shares some stories about life in France and French traditions.

LET’S EAT FRANCE by François-Régis Gaudry

Artisan, 2018

This book is a feast for food lovers, particularly French food lovers! You will find classic recipes, including how to make a pot-au-feu, eight essential composed salads, pâté en croûte, blanquette de veau, choucroute, and ratatouille. In addition to that, François-Régis Gaudry added a region-by-region index of each area’s famed cheeses, charcuterie and recipes. You will also find guides to the breads of France, the wines of France, the oysters of France and the French Fries of France! This is the perfect book to learn how to cook French cuisine while learning about its history.

CHEZ MOI: DECORATING YOUR HOME AND LIVING LIKE A PARISIENNE by Sarah Lavoine

Harry N. Abrams, 2016

If you have always wanted to live like a true Parisienne, then this book is for you! Interior designer Sarah Lavoine explains her approach to styling an apartment, covering each room in the home. She suggests how to add unforgettable details to create a restful and chic environment for your home. Chez Moi is a design book that tackles every aspect of a Parisian’s lifestyle, from cooking to fashion and shopping.

PARIS ON AIR by Oliver Gee

BookBaby, 2020

Oliver Gee, the renowned award-winning podcaster, invites you to follow him on his journey through the streets of Paris. After living in Paris for five years, he teaches you how to order cheese like a French person and how to make a Parisian smile. If you want to discover the French capital and have a good laugh, this book is for you!

THE NEW PARISIENNE, THE WOMEN & IDEAS SHAPING PARIS by Lindsey Tramuta

Abrams, 2020

In this book, Lindsey Tramuta focuses on French women and dismantles usual stereotypes associated with them – white, slim, fashionable, often a snob. She portrays 50 French women, activists, creators, educators, visionaries and disruptors, like Paris’ Mayor Anne Hildago, among others. Lindsey Tramuta also shares her favorite women-owned businesses in Paris.

Designer Nicolas Aubagnac unveils a special collection for Galerie Marcilhac. The result is contemporary furniture designed in the Art Deco spirit and promoted by the famous Parisian gallery.

Above: Nicolas Aubagnac and Félix Marcilhac. 

Above: Pedestal table in bronze and travertine, signed Nicolas Aubagnac. In the Marcilhac gallery: screen (1928) Jean Dunand. Armchair (1929) Pierre Chareau. Carpet Jules Leleu. Vase ball, in copper dinanderie – Vase with herringbone decoration (1930) Claudius Linossier. © Paul Prestreau.

A Contemporary Art Deco Collection

Nicolas Aubagnac’s ambition is to think of classicism in terms of the future. The designer is thus continuing his ode to art furniture with a new collection for the Galerie Marcilhac. The collaboration between the gallery, a specialist in decorative arts, and Nicolas Aubagnac takes on its full meaning in this respect. Galerie Marcilhac is one of the oldest Parisian galleries dedicated to the decorative arts of the 20th century. It also promotes contemporary artists by presenting their works alongside those of the great names of Art Deco. In this respect, Felix Marcilhac proposed to Nicolas Aubagnac to design contemporary pieces. The art dealer shares with the designer a love of crafts and furniture telling the story of the decorative arts. From their meeting was thus born an exclusive collection, designed as a tribute to the line. A high quality encounter that caught the attention of Signatures Singulières Magazine.

Console in bronze and travertine by the designer Nicolas Aubagnac for Galerie Marcilhac. Vase in hammered brass dinanderie (1925) – Gilded lacquer box (1913) all Jean Dunand. Panther (1929) original lithograph, Paul Jouve. © Paul Prestreau.

In the Spirit of Art Deco

The collaboration between Nicolas Aubagnac and Galerie Marcilhac consists of two pedestal table models and two console models. These pieces of furniture have the ambition to converse with the great names of the gallery such as Ruhlmann and J.M. Frank. To do so, Félix Marcilhac and Nicolas Aubagnac have chosen two predominant materials for the design of these four pieces. Travertine and bronze thus make this furniture, imbued with a strong personality, stand out. The craftsmen who traditionally work with Nicolas Aubagnac on his projects have put their know-how at the service of this collection. The result is geometrical and pure forms that are in osmosis with the collector’s furniture of the Galerie Marcilhac. Nicolas Aubagnac has applied his perfect mastery of the Art Deco period by associating to it his eye as a decorator-assembler. The designer projects the decorative arts into the contemporary world.

Snake Vase (1924) Lalique. © Paul Prestreau.

Nicolas Aubagnac: Designer and Interior Architect

With a sharp vision of French decorative art, Nicolas Aubagnac was quickly recognized by his peers and a demanding clientele. Four years after graduating from Ensaama in interior architecture, Nicolas Aubagnac founded his agency in 1997. The designer immediately distinguished himself with his creations of lighting fixtures. He exhibited at PAD in 2002 and gained an international clientele. Nicolas Aubagnac calls upon the cream of the crop for each of his creations made in France. Cabinetmakers, gilders and lacquerers are all trades that participate in the manufacture of this unique furniture. In addition to his activities as a designer, Nicolas Aubagnac also designs luxurious interior architecture projects. The result is high quality, timeless furniture. All of which tells the story of the decorative arts and above all the French art of living as Signatures Singulières Magazine likes to promote it.

Side table in bronze and travertine by the designer Nicolas Aubagnac. Bench seat (1920) André Groult. Wall lamps (1925) Albert Cheuret. Carpet (1950) Jules Leleu. Cup empty-pocket (1970) Odile Noll. Vase ball, in copper dinanderie – Vase with herringbone decoration (1930) Claudius Linossier. Trendy panther (1927) original lithograph, Paul Jouve.

Galerie Marcilhac
8, rue Bonaparte
75006 Paris
Tél. : +33 (0)1 43 26 47 36
contact@marcilhacgalerie.com
www.marcilhacgalerie.com

Nicolas Aubagnac
26, Cité de Trévise
75009 Paris
Tél. : +33 (0)1 42 46 69 45
contact@nicolas-aubagnac.com
www.nicolas-aubagnac.com

Featured image: “Renée Perle, Paris, January 1931”. Photograph by Jacques Henri Lartigue ©Ministère de la Culture (France), MAP-AAJHL

Many years ago, while at college and majoring in art history, I decided to take a “History of Photography” course. I will never forget the day when the image of the interior of a room photographed from the floor level came onto the screen during a lecture. I sat up in my seat and intently studied this incredible perspective and thought, who is this photographer? Turns out the photo was taken by an eight-year old French boy named Jacques Henri Lartigue. I soon learned that he took thousands of snapshots throughout his life and compiled them into personal photo albums and was “discovered” years later at the age of 69 and would go on to become one of the most famous photographers of the 20^th century. Seeing his work opened my eyes to the power of photography and changed the course of my life, as from then on, I concentrated my art history studies on photography.

The emergence of a promising artist

Jacques Henri Lartigue was born near Paris in 1894 to a wealthy family. On his 7^th birthday, his father gave him a camera as a gift which opened the world to young Jacques Henri and led him on a lifelong devotion to this craft. He immediately started photographing the world around him, which at that age was his adoring family and his nanny. He took photos of her throwing a ball into the air, another of his cat jumping in the garden and he even conjured up a ghost with sheets taken from the linen cupboard. At age 8 he was already “art directing” and setting up his scenes. One charming photo shows the view of a bathtub filled with water and Lartigue’s boyish grin seen bobbing above the water line like a buoy in the sea. He had the camera placed on a floating board in the tub and had his mother release the shutter at the exact moment he desired. It was a wonderful example of giving us a child’s eye’s view. Another sweet photo shows him tucked up in bed with his cat in his arms and with his eyes closed like he was already in a deep slumber. Once again, he set up the image and had his nanny release the shutter. He took photos of things that made him happy and the things he wanted to remember. In 1911, he started compiling these photos into personal albums and in the course of his long life they would number to 126. He wanted to record every moment of his life as he didn’t want his memory to fade. Besides taking photographs, he wrote meticulous diary entries every day throughout his life. He felt like it had to be done right away before the magic faded. Once, while still a young boy, he was told that his journal entries might one day fade away as they were written in pencil. Fearing this loss, he immediately copied his diary over again in its entirety in ink. What is so astonishing, especially at such a young age, is that he did not borrow from other artists, he was influenced by his own imagination. This brings me back to the photo that first ignited my interest in his work, “The collection of cars in Jacques Henri Lartigue’s room, Paris, 1903”. Here is a nine-year old who instinctively placed the camera down on the floor to give his own child’s eye’s view of the scene. The toy cars are lined up on display with the metal bodies gleaming in the sunshine that is creeping through the window. The tall cabinet behind looks like a looming skyscraper and the sheet placed over the fireplace gives the feeling of a neutral background to show off the cars and to erase the gaping entrance of the fireplace so as not to take any distraction away from the main subject of his photo, the cars. Even the flowered wallpaper evokes a wild jungle background and the mirror above the fireplace reflects the far ceiling adding to the majestic atmosphere. As an adult, we might just walk by this scene not noticing the details but from Jacques Henri’s viewpoint he is highlighting what he sees. It was not only the act of taking a photograph but the excitement in the creative process and indulging his childlike curiosity.

A photographer of the age of modernity

Lartigue grew up in the turn of the century when inventions were changing the way of life. Cars were taking the place of horse-and-buggies, airplanes were being designed and tested. He marveled at these fast-paced machines and as a teen he photographed gliders taking off from sand dunes and race cars speeding around the circuit. One of Lartigue’s most well-known images is “Grand Prix de L’Automobile Club de France, dated 1912”. At the Grand Prix in Dieppe, he stood right on the edge of the road and waited for a race car driver to speed by. He clicked the shutter while slightly moving himself along the car’s path and the image that emerged was astonishing for that time. With the tilting trees and spectators combined with the surreal shape of the wheel he managed to capture speed and movement itself. One can almost hear the engine roar and the wind blow as the car takes the corner. One can see the clear details of the driver and his hand gripping the steering wheel trying to manage this powerful beast while the rest of the photo is blurred showing the power and sensation of speed.

During this time of great technical innovation, Lartigue was also intrigued by the bourgeoisie. As a teen, he would slip off to the Bois de Boulogne in Paris to take photos on the Sentier de la Vertu. There he would photograph the beautiful women and men parading past him on their daily walks showing off their long dresses, furs, veiled and feather hats and jewels and top hats and canes. He was the original “street photographer”, the Bill Cunningham of the 1910’s. He would depict them showing off their finery as if they were peacocks. What seemed of the moment then is now a beautiful recording of the high life in Paris before the Wars. Around this time, he would also go to the racecourse at Auteuil and it was there that he captured a moment that would years later influence a memorable scene in a much beloved movie. In “Auteuil Racecourse, Paris, 1911”, Lartigue captured a moment in a perfect composition. Three women are standing on chairs and are all looking in the same direction at the approaching horses. The black and white vertical stripes in two of the gowns perfectly mirrors the vertical white railings they are holding onto. This photograph also reveals a softer silhouette instead of the tightly corseted fashion trend of the early 1900’s. This scene of elegance and women excitedly watching a race would inspire Cecil Beaton in designing the costumes for the crowds in the famous racing scene in “My Fair Lady” in 1964, including Audrey Hepburn’s beautiful black and white gown. This is not the only time his photographs would inspire a film. The director Wes Anderson was also inspired by Lartigue’s magical world. An image of Lartigue’s brother Zissou taken in 1909 was recreated in the film “Rushmore” (1998) with the main character, Max, taking the place of Zissou in a film still. Max sits on the edge of a go-cart posing as the Founder of the Yankee Racers wearing a cap and goggles with his knees held tightly together mimicking the comic eccentricity of Zissou in a similar photograph taken some 89 years earlier.

A prodigy with many gifts

Lartigue was a true aesthete. While spending time in the South of France during the 1930’s he designed and decorated lavish balls and galas at casinos along the Riviera. He also designed a table for his apartment in Paris. This stunning “modular” and elegant table appears to anticipate the coming Art Deco movement. This table appears in his album in 1919 showing it in the center of a room in his Paris apartment (2nd photo below). A later album in 1922 shows the table again but in a different setup in his apartment – up against the wall with flowers and glasses adorning the top (photo below). The table has been recreated and can now be found at auction and through Ecart International in Paris as well as online with The Invisible Collection. Lartigue was the embodiment of a Renaissance man.

Captivating beauties

While writing this article, the hardest part was selecting which photographs to include. Over the course of his long life, he took over 100,000 images. My favorite images are those he took of the women who inspired him – his three wives and several lovers and muses. I could fill an entire coffee table sized book with these images as they are beautiful and enchanting. Renée Perle was his muse/lover from 1930 to 1932 and the photographs of her, to me, could be the forerunner of fashion photography. In the photograph, “Renée Perle, Paris, January 1931” (title photograph), Renée lounges on a couch and Lartigue perfectly captures the spirit of 1930’s France. With Renée’s arm full of bangles, heart-shaped lips à la Clara Bow and short wavy hair one feels like Renée is taking a moment of repose before the next glass of champagne is poured and the music begins. Renée had expressive hands, almost like from a Modigliani painting, and they always were an important part of the photo compositions – covering half her face, placed on a wall as the center point of an image. She was an intriguing muse and her spectacular beauty inspired some of Lartigue’s best photographs. There was just something about Renée. Tall, chic, exotic. Lartigue wrote that “around her, I see a halo of magic”. Their short time together was what Lartigue remembered as an “eternal vacation”, a dreamlike two-year holiday in the South of France. Several years ago, I was with close friends strolling the aisles of a photography fair in NYC. They stopped and gravitated towards a photograph of an enchanting woman outside walking down the stairs in wide palazzo pants, a tight tank top and a large brimmed hat. They bought it and it made me so happy as that was a photo of Renée embodying the Riviera style of the 1930’s.

Besides being a photographer, Lartigue was also a painter and it was through the sale of paintings over time that he could support himself as a free-spirited artist. Lartigue once said, “I see everything with a painter’s eye”. This is especially true when in the 1950’s he started taking color photographs. While his black and white photography was lively and energetic, his color photography showed even more of his exuberance. It was a new visual sensation that he embraced. In the photograph, “Florette, Vence-Beausoleil, May 1954”, he captures an intimate moment. Florette was his third wife and they were married for forty years until he died. In comparison to photos of Renée, this image of Florette reflects an enduring love and companionship.  The saturated color along with banded rays of light bathing the scene is balanced by the serene smile that Florette has as if Lartigue caught her in a moment of contemplation and she looks up as he enters and is happy to see him. Happiness is what Lartigue was always striving to capture in his photography and he wanted to catch a marvelous thing that goes by in half a second.  He always said, “You must find something in each day to delight you”.

Lartigue made tens of thousands of images for his personal albums and was completely unknown as a photographer until he had a meeting arranged by a photographer friend with the esteemed photography curator at MoMA, John Szarkowski, during a visit to NYC.  He was offered an exhibition at the museum on the spot and his first exhibition took place in 1963.  He was “discovered” at the age of 69 and became an overnight sensation. He was a genius amateur photographer with an instinctive eye and to this day is still considered one of the greatest photographers of the 20^th century.

Lartigue continued photographing up until his death in 1986. He died suddenly but peacefully at age 92. Up until the end, he still held that childhood delight and curiosity that he exhibited back in the turn of the century and through his work tried to preserve some of the “immense happiness of living”. He always signed his photographs with a hand drawn sunburst at the end of his name.

In a lovely twist of faith, one of my first jobs when I moved to NYC after school was with a private photography dealer who specialized in Lartigue. It was a joy to work with his photographs and to see Renée, Florette, Nanny, Zissou and his boyhood room up close and personal. I feel that Lartigue was a photographer ahead of his time. I often wonder what he would think about our modern days where selfies and documenting our lives consume us. I bet he would love it as he once said, “Photography to me is catching a moment which is passing, and which is true”. I think his Instagram handle would be @joiedevivre

In 1979, Jacques Henri Lartigue became the first living French photographer to donate his work to the State with over 120,000 negatives, his diaries and 126 personal albums. To this day, the Association des Amis de Jacques Henri Lartigue oversees his estate by conserving and displaying his photographs. You can find more information and see images at www.lartigue.org and @donation.lartigue. Photographs can be purchased through Monah Gettner at Hyperion Press in NYC, hyperionpr@verizon.net

Cara Woodhouse specializes in luxury private residential & commercial projects. Through her firm in Brooklyn – Cara Woodhouse Interiors – she provides design services including architecture consulting, contract management, spatial planning, material & finish selections, custom furniture, millwork & antiquing. Cara has worked on multiple projects in Miami, Colorado, New York City, the Hamptons, New Jersey, Boston, Nantucket, Connecticut, Westchester, London & Los Angeles. Apart from being a worldwide successful designer, Cara is also a dynamic, joyful and passionate person! She loves her job and kindly shared with us her path to interior design and her inspirations.  

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Cara, I understand that your journey to become the worldwide designer you are today was a long one. Could you tell us a bit about yourself and your career path?

My career path started very early on. I always excelled in the arts and always dreamed of being a fine artist and sculptor. After attending FIT for fashion and realized it was not my passion, I attended NYSID. I studied interior design and knew that this was my calling and what I was meant to do. I had various internships during my college days and once I graduated, I worked for several prestigious NYC interior design firms including Cullman & Kravis. There, I learned the ins and outs of high-end design working on large-scaled projects with large budgets. It was a very well-oiled operating machine and I learned so much! I then moved on to run the NY office for Sherrill Canet interiors where I helped manage clients as well as co-design furniture. A couple of years into that firm I was approached to work on a friend of a friend’s home in South Beach, Miami. This was an opportunity I could not turn down. I quickly partnered with a close friend that I worked with at Cullman and Kravis and we formed our first design firm ZK interiors. After 5 years of growing that business I moved to London for a couple of year. I then returned back to NYC where I reinvented my business and started Cara Woodhouse Interiors LLC.

You are known for your unique patterns and shapes, your colorful palettes and unexpected details which always make your projects stand out. Where do you get your inspiration?

My inspiration comes from many places. Color palettes, shapes and forms… I am always inspired by my travels, art, other interior designers and architects and lots of history. I constantly think to myself, “how I can do this differently.” I want to be innovative and push myself all the time through my design process. I don’t want to be ordinary I want to be extraordinary! This is something I remind myself of on a daily basis!

Your projects are always very creative and artistic. What is your creative process when faced with a new project?

My process always starts with my clients. I truly get to know my clients and what their aesthetic and vision is, how they live and what inspires them. I love collaborating with my clients and achieving a home they LOVE! That is my ultimate goal. I try to always have some kind of eye candy; this doesn’t always have to be a pop of color. It is achieved in so many ways: using luxurious materials and finding a loophole of creating a unique design.

How has your style evolved through the years? Now that you have your own interior design company, do you feel you have more freedom in your projects?

My style has evolved tremendously over the years. I was very lucky to have the foundation of working early on in my career on very rich and elaborately layered traditional interiors. To be able to design that way was such a gift of knowledge and history. Over the years, I have stripped down my designs and have gone through a transitional period of design and now I am more of a modernist with a twist of playfulness and fun. Two things that will always be the upmost important in my designs are comfort and functionality. This is something that will always come first over anything else in my interiors.

Do you have a particular place in New York City that inspires you design-wise?

There is definitely not one place in NYC that inspires me because there is so much to be inspired by. All of the different areas of NYC from the West Village and its charming streets to the Upper East Side’s gorgeous townhouses, Central Park… all of it! All of the incredible styles, antique and furniture stores etc. I studied the history of NYC and how it developed and functioned early on, and it is something that fascinates me to this day. There is so much history in these city streets! New Yorkers, the people of this city, really inspire me the most! There is no place like NYC!!

I’ve seen incredible marble in some of your projects. Can you share your favorite materials to work with?

Yes, marble is for sure one of my most favorite materials to work with. All natural stone to be honest. The colors, shapes, patterns and feeling that stone gives off truly moves me. It always blows my mind that it is made by nature! I literally get a rush when I walk through a marble yard and the gears in my mind start cranking with how each gorgeous piece of stone can be used in furniture and homes. I am actually in the midst of designing a marble furniture collection as well as a jewelry collection using natural stone.

Working as a designer, you surely must know how fascinating and meticulous craftsmanship can be. How much importance do you attach to this process?

This is on top of my list. Quality and finish work. Being in this business for so long my eye is trained to pick up on these things! I am definitely always striving for perfection and consider myself to be the most meticulous. I have even helped some of my millworkers and upholsterers perfect their techniques and finishes to elevate their quality and level of work!

If you had to pick one favorite project among all your interior design projects, which one would it be and why?

All of my projects and my clients are so important to me and they are all so different. They are like my babies… to pick a favorite at the moment, I would have to say my personal home. It is such a dream to have finally found a home that my husband and I both love so much! I can put my stamp on everything with total freedom and design how my family and I function. It feels like it is finally my turn…!

Finally, we have to mention your amazing blog and Instagram account, you often use your platform to give advice to emerging designers. What advice would you have liked to have received at the beginning of your career?

I wish I had a mentor early on in my career. I would have asked how to deal with difficult clients, how to run an interior design firm from accounting, protocols etc. I am always happy to share what I have learned over the years through trial and error. I always give the advice that it is important to get some work experience in the field before you go off on your own!

What’s next for you now? Do you have any projects coming up soon?

I do have several new projects that I am working on at the moment. I am finishing up a gorgeous modern home in Los Angeles, a Central Park West apartment and a gorgeous estate in Setauket, NY. I am working on several capsule collections with many different companies at the moment to expand my brand. I love mentoring and offer one-on-one consultations.

The creation of a door handle designed by Valérie Rostaing in collaboration with Bricard Art illustrates the contemporary aesthetic sensitivity associated with the artisanal history of the great locksmith. An illustration of the French-style elegance that excites Signatures Singulières Magazine.

A contemporary art locksmith’s shop designed by an interior designer

This refined door handle tells the story of an interior designer’s view of the art of locksmithing and the know-how of a hundred-year-old house. Bricard Art and Valérie Rostaing present a new model of artisanal locksmithing. This creation with assertive lines is a summary of the interior designer’s vision of the custom-made. It is also an illustration of the know-how of the Bricard Art locksmith. Valérie Rostaing and Bricard Art thus share the same spirit of excellence in locks that are in keeping with the times. These handcrafted bronze pieces open the doors of a home to the elegance of French art. Valérie Rostaing, with her experience at Christian Liaigre, designs interiors with a timeless character and meticulous finishes. The interior designer focuses on the details that make a house luxurious. In fine, the collaboration with Bricard Art allowed her to design a bronze lock very Art Deco. The result is a true contemporary goldsmith’s piece.

Decorative arts at your fingertips

Since 1782, Bricard has opened the doors to successive styles of French decorative arts. The art locksmith has thus imposed his know-how, from the Renaissance style to the Art Deco style. Preciously kept in its workshops, 30,000 models bear witness to the artisanal history of the House of Bricard. Like goldsmiths and silversmiths, the craftsmen-shoemakers shape, chisel and sculpt the bronze by hand according to the manufacturing processes inherited from the 18th century. This know-how is, as time goes by, at the service of its time. Bricard Art never ceases to inject the contemporary into its DNA without ever forgetting the soul of its House. In recent years, Bricard Art has initiated collaborations with interior architects and designers, producing in its workshops the finished product based on their drawings. The House of Bricard Art is constantly exploring new contemporary forms and finishes. At Bricard Art, each piece is a custom-made creation, a value that is dear to Signatures Singulières Magazine.

The doors to excellence in craftsmanship

Bricard Art puts its exceptional know-how at the service of architects, decorators and private individuals. In addition to this, it also has an artistic sensitivity that has been proven for more than two centuries. After understanding what the project entails, the House shows the clients the appropriate models taken from its countless locksmith collections. Above all, it offers inspirational notebooks illustrating the trends of yesterday and today. In the end, this alchemy of contemporary design and historical know-how offers atypical models of artistic locksmithing. These custom-made or handmade pieces are the gateway to a world of extraordinary excellence. A value that seduced the interior architect and designer Valérie Rostaing. Illustrated by her latest architectural project “The House of Taipei”, in which French craftsmanship is given pride of place. At the same time, Valérie Rostaing also designs furniture for her sophisticated residential projects. An illustration of the French art of living, promoted by Signatures Singulières Magazine.

Bricard Art
Showroom open by appointment only
2, bis rue de la Baume
75008 Paris
Tél. : +33 (0)1 42 77 71 68